Shamsia Hassani, a painter who has spoken at University, and she is first female road craftswoman. Hassani’s works, whether on paper or on the mass of a neglected blasted building, depict not only the role of women in a male-dominated culture, but also the fight between light and darkness that has subjugated the region she calls home.
Credit: IG | shamsiahassani
Meet Shamsia Hassani, a painter who has instructed at University and is viewed as first female road artist:
She started in 2010 subsequent to going to a spray painting studio instructed by CHU, a British craftsman.
Hassani has now made her own style and has painted her unmistakable person, a lady with shut eyes and no mouth, all through the country.
Shamsia’s circumstances eventually led her back to her country. In 2010, she attended a Combat Communications-organized spray painting session in University, which led her down a path she is still on ten years later. “I arrived at the studio with nine Berang associates. Combat Communications invited CHU, a spray painting craftsman from the United Kingdom, to lead the event.”
The other nine specialists who attended Shamsia’s conference did not continue to hone their spray painting skills or follow the work of art a short time later. She, too, had been afflicted. “I liked it a lot and thought it had a lot of applications,” Shamsia added. “I accepted that spray painting may be a method for me to improve my city’s conflict-affected energetic works of art.” “The tones would obscure war stories on my city’s separators, and visitors would notice new things instead of projectile apertures and breaks,” says the author.
“I also believed it may be a good opportunity for folks who had never been to a show or seen my work to get a taste of what I do.” They may have the opportunity to learn and appreciate something new. For a few moments of diversion, some may even pose for photographs in front of it.”
Shamsia’s nation, however, became more risky when she began spray painting, and she was unable to shower satisfaction outside. She also had to deal with some other societal differences. people aren’t against handicraft, but they are against women’s activities,” she noted. “As a result, when people saw me outdoors spray painting, they despised me, and some even thought it was a crime.”
“After about 15 minutes of painting in wide daylight spaces, I started to feel uneasy, so I would leave.” My pieces would have been fantastic if I had been able to stay for at least 2-3 hours, but there was no choice but to either paint something terribly simplistic or leave the item unfinished.”